For: Evening owambe / milestone birthday / late dinner
Burgundy is the colour to reach for when black would be predictable and rust too warm. The long body over a tapered trouser is the most flattering evening shape I know.
For: Second outfit at a wedding / garden reception / destination event
The change of outfit most men skip. Ivory after a heavy first look resets the whole evening, and it is the rare occasion piece you will wear again outside the occasion.
For: Garden wedding / summer reception / a party that starts in daylight
Cream tailoring is a nerve test and it passes every time. Kept unlined, with a shirt worn open, it looks generous rather than formal — which is what a garden asks for.
For: Destination reception / warm-weather second look / a terrace at golden hour
A cream linen shirt and a full brown trouser is the least effortful thing in the catalogue and one of the strongest. It only works if the trouser is properly cut.
For: The white wedding or the church service, as the groom or close family
Ivory on ivory, with the embroidery worked in the same tone as the cloth. It is the hardest colour to wear well and the most convincing when the cut is right.
For: Black tie — an awards dinner, a gala, a winter wedding after seven
Midnight blue reads blacker than black under chandeliers, and a silk-faced peak lapel is the one detail worth paying for. This is the correct answer to a black-tie invitation.
For: The reception, the garden drinks, or the day-after brunch
A camp-collar shirt and a wide linen trouser in the same oat tone. It photographs as a considered outfit rather than separates, and it survives four hours of a marquee.